Disguise: Masks and Global African Art

The following release came directly from the Brooklyn Museum, NYC

APRIL 29–SEPTEMBER 18, 2016
Morris A. and Meyer Schapiro Wing, 5th Floor

2016_Disguise_Masks_and_Global_African_Art_Zina_Saro_Wiwa_4000W_1000_656

Zina-Saro-Wiwa (British/Nigerian, b. 1976). “The Invisible Man”, 2015 Seattle Art Museum, Commission, 2015

Disguise: Masks and Global African Art connects the work of twenty-five contemporary artists with historical African masquerade, using play and provocation to invite viewers to think critically about their world and their place within it. By putting on a mask and becoming someone else, artists reveal hidden realities about society, including those of power, class, and gender, to suggest possibilities for the future.

The contemporary artists featured include Leonce Raphael Agbodjélou (Benin), Nick Cave (U.S.), Edson Chagas (Angola), Steven Cohen (South Africa/France), Willie Cole (U.S.), Jakob Dwight (U.S.), Hasan and Husain Essop (South Africa), Brendan Fernandes (Kenya/Canada/U.S.), Alejandro Guzman (Puerto Rico), Gerald Machona (Zimbabwe), Nandipha Mntambo (South Africa), Jean-Claude Moschetti (France/Benin), Toyin Ojih Odutola (U.S.), Emeka Ogboh (Nigeria), Wura-Natasha Ogunji (U.S./Nigeria), Walter Oltmann (South Africa), Sondra R. Perry (U.S.), Jacolby Satterwhite (U.S.), Paul Anthony Smith (Jamaica/U.S.), Adejoke Tugbiyele (U.S./Nigeria), Iké Udé (U.S./Nigeria), Sam Vernon (U.S.), William Villalongo (U.S.), Zina Saro-Wiwa (U.S./U.K./Nigeria), and Saya Woolfalk (U.S.).

Masks have long been used by African artists to define relationships―between individuals, communities, the environment, or the cosmos―and, sometimes, to challenge the status quo. However, once masks were removed from their original performance context, they were transformed into museum objects, and their larger messages were often lost.

The exhibition presents contemporary work in dialogue with historical objects from the collections of the Seattle Art Museum and the Brooklyn Museum within an immersive and lively installation of video, digital, sound, and installation art, as well as photography and sculpture.

Disguise: Masks and Global African Art was originally organized by the Seattle Art Museum. The Brooklyn presentation is organized by Kevin Dumouchelle, Associate Curator, Arts of Africa and the Pacific Islands, Brooklyn Museum.

Generous support for the Brooklyn Museum presentation is provided by JPMorgan Chase & Co. Additional support is provided by Jerome and Ellen Stern.

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